These New Puritans really had an extraordinary first-3-album arc, moving from post-punk revival to percussive art rock to experimental chamber music with such precision that each of those albums could rightly be considered their best. (The fourth one's really great, too; it just wasn't such a massive shift.)
For me, though, Field of Reeds is an all-out masterpiece. A series of haunting, elusive songs grappling with the (possibly futile) search for meaning, understanding, or connection, against a musical backdrop of piano, woodwinds, horns, strings, synths, and spare percussion. Although there is at least one obvious predecessor -- Mark Hollis -- the mood that this album sets is truly unlike anything else I've heard: always drifting in the liminal space between the beautiful and the sinister without ever fully committing to either one. This sense of constant unease and uncertainty is not for everyone, but at least a few of you are about to discover a new all-timer.
Just want to add this bit from the liner notes regarding the title of the first track, because I love how annoyed they sound: "The opening track originated from a field recording made by Jack Barnett of an amateur singer half-recalling fragments of a song. TNP were unaware of the original song until completion of recording 'The Way I Do' [original title]. Since then the trustees of Bacharach and David's songwriting material have demanded that the title of the half-recalled song be used in place of TNP's title."
Track listing:
1. This Guy's in Love with You
2. Fragment Two
3. The Light in Your Name
4. V (Island Song)
5. Spiral
6. Organ Eternal
7. Nothing Else
8. Dream
9. Field of Reeds
You should also listen to:
No comments:
Post a Comment