Showing posts with label slowcore. Show all posts
Showing posts with label slowcore. Show all posts

Wednesday, January 25, 2023

The Declining Winter - Goodbye Minnesota (2008)


Downcast post-rock dirges from sunny West Yorkshire. Room-reverb-heavy acoustic guitars chime, horns rise and fall, violas drone, melodicas wheeze, and warped vocals slide in and out of view like ghosts. I absolutely hate this time of year.

Track listing:
1. Summer Turns to Hurt
2. We Used to Read Books
3. I Don't Really Want to Be Alone
4. To Know Gospel
5. Yorkcitythree
6. Oh God C'mon
7. The World Is an Idiot
8. Last Train to Maple Grove
9. The Clock Gently Ticking in the Hall
10. Hey, Nick Heyward
11. Goodbye Minnesota

Trees sway back and forth

More wintertime classics:

Friday, January 13, 2023

Tram - Heavy Black Frame (1999)


Total sad-sack slowcore from a relatively short-lived, London-based duo. Songs of heartbreak, self-doubt, anxiety, and the occasional glimmer of hope, with warm, rich instrumentation courtesy of a handful of collaborators that includes producer/unofficial third member Clive Painter and Bill Lloyd of Placebo. It's making me feel a little better about having woken up about 2 hours too early and sunrise not being for another hour.

Track listing:
1. Nothing Left to Say
2. Expectations
3. Too Scared to Sleep
4. Like Clockwork
5. Home
6. I've Been Here Once Before
7. High Ground
8. When It's All Over
9. Reason Why
10. You Can Go Now (If You Want)

Who's gonna catch me the way you used to?

If you like this, listen to:

Sunday, November 6, 2022

Low - Trust (2002)

Related:

I am absolutely gutted to learn that Mimi Parker has died. I knew that she had been battling ovarian cancer, and that the outlook wasn't great, but I guess I was just hoping for the best. Low completely changed the way I thought about music, and Mimi's contributions to the band were a huge part of that. She doesn't just have one of the most emotive, pure voices I've ever heard -- her songs are works of angelic yet cryptic beauty, and she was an absolute master of minimal drumming. My heart goes out to Alan and the rest of her family and friends.

The first time I saw Low, they were touring for Trust. It is still the best show I have ever seen. I had only recently gotten into them when my sister bought me their then-newest CD, Things We Lost in the Fire, for Christmas, and it quickly became my favorite album -- I was seriously spreading the word of Low like it was the fucking gospel. I hadn't heard Trust yet when I saw them, but I was utterly transfixed from the moment they opened with "(That's How You Sing) Amazing Grace". And I will never forget how completely silent the crowd was when they played "Laser Beam", one of Mimi's best and most beloved songs. It's a strangely comforting feeling to be in a club full of people, none of whom are saying a word, and it takes a truly special artist to command that kind of attention.

Obviously, I bought Trust at the show, and proceeded to listen to it while getting high about 50 times over the course of the next 6 months or so, getting to know its every tiny detail. I love that the first sounds you hear aren't the instruments, but the space -- it's like they have you step into the cathedral where the album was recorded before they start playing. Mimi's two solo songs, "Tonight" and "Point of Disgust", are flickering candles on an album full of oppressively dark, crawling dirges. A lot of critics didn't like those dirges too much, but as a doom metal fan (particularly when the record came out), tracks like "Time Is the Diamond", "The Lamb", "John Prine", and "Shots & Ladders" were like answered prayers to me. Elsewhere, they flirt with uptempo rock ("Canada") and sing-song-y folk rock ("Last Snowstorm of the Year", "La La La Song"). The album's kinda all over the place, and that's why I love it.

And then there's the aforementioned "(That's How You Sing) Amazing Grace". There are countless songs about death, dying, and mourning, and many of them are very good. But Low has a way of tapping into otherwise rarely explored emotional territory, and on this song, they do so masterfully. To me, it's cut of the same cloth as "Murderer", a song that they wrote right around the same time. Both songs deal with mortality, and the anger that we can feel when someone is taken away from us too soon. In "(That's How You Sing) Amazing Grace", the titular song, once sweet and uplifting, becomes an instrument of torture and submission: a reminder of both the unfairness of our world and the brutal indifference of mortality.

I feel like I'm supposed to end this on a positive note, but I don't know how. Thank you, Mimi, for helping me to understand life a little better. Rest In Peace.

Track listing:
1. (That's How You Sing) Amazing Grace
2. Canada
3. Candy Girl
4. Time Is the Diamond
5. Tonight
6. The Lamb
7. In the Drugs
8. The Last Snowstorm of the Year
9. John Prine
10. Little Argument with Myself
11. La La La Song
12. Point of Disgust
13. Shots & Ladders


Also listen to:

Tuesday, July 19, 2022

The Paradise Motel - Left Over Life to Kill (1996)


Dark, dreamy Australian indie rock. Pretty, pristine vocals over glacial noir-Americana, complete with strummed acoustics, and bending, tremolo-saturated leads. Man, I'm loving my old time indie rock and roll over here. There's both an EP and a compilation version of Left Over Life to Kill, both of which have excellent songs that aren't included on the other; bafflingly, the comp only has two songs from the EP. I hemmed and hawed for days over which one to post before ultimately landing on the EP as it's the original, but will probably post a link for the comp version in the comments because they're both essential, and someone is definitely going to request it anyway.

Track listing:
1. German Girl
2. Ashes
3. Letter to a Stranger
4. North of God
5. Jack Star
6. Thumbelina
7. Serpent Intro


If you like this, you'd also like:

Monday, July 4, 2022

Her Space Holiday - The Astronauts Are Sleeping Vol. 1 (1999)


My wife and I have been living in the same house since September of 2009. The first time July 4th came around when we were living here, we had walked up the street to our friend's house, and when the two of us got back to our house, we couldn't help but notice the full-on, professional level (read: outrageously expensive) fireworks party happening in the elementary school parking lot directly across the street from our house. So we sat out on our elevated patio, drinking and watching the show 'til it petered out a little after midnight. I think our friend had given us some painkillers earlier. Great night.

The next year, we invited some folks over to BBQ, keeping our fingers crossed that the fireworks people would show up again. And they did, and it was fucking incredible again. So the NEXT year, we went all out, and threw probably the biggest banger of a party we've ever had here. Tons of people showed up, including the fireworks folks -- there were topless ladies setting off fireworks in the street, a dance floor on the patio, people partying on the roof and fucking in the basement, and just good, good vibes. One of the best nights.

This went on for the next few years, albeit never getting quite as wild as that one. Then one year, our dumb-dick neighbors had been shooting Roman candles directly at this big hedge that acted as a wall around the edge of the parking lot, and surprise, surprise: it caught fire. Within minutes, the whole goddamn thing was ablaze -- remember, we're talking about a hedge that encircles an entire elementary school parking lot -- and total pandemonium ensued. My wife was in Australia at the time, and she called me in a panic because someone at the party had posted a shaky, 10-second video on Facebook of a blazing inferno and someone shouting my name over and over (they were trying to get me to move my car out of harm's way.) Not a good night.

That was the last year the fireworks people showed up. It was also the last year before Donald Trump the Politician came looming into view, reminding anyone who needed reminding that whatever progress one may have thought that we as a country had made -- culturally, politically -- was an illusion, and that active regression was the name of the game. The next year, we went to our friend's house for a daytime BBQ, but no one really felt like partying. And that's where we've been since. The past few years, we've spent the 4th hunkered down with our cats, who honestly seem to handle all the noise pretty well. And every year, there's something terrible in the news that begs the question: What's to fucking celebrate? This year is obviously no different, and I don't have to tell you or provide links for you to know exactly what I'm talking about.

So, what does all of this have to do with a low-key, lo-fi-ish slowcore album, you ask? Probably not a lot, honestly. I initially thought of this record because the final track is based on recordings made in Her Space Holiday's backyard on July 4th, 1996 -- he apparently set up mics to record the neighborhood's fireworks, recorded some improvisations in real time, then recorded overdubs the next day. But listening to it now, it's making a lot more sense. The wistful guitar lines, the sweet, murmuring vocals, the analogue, dimly-lit atmosphere -- it's taking me back to that first year with my wife, sitting quietly, feeling warm and full of love, and watching the lights burst into massive, sparkling clouds that dissipated as soon as we laid eyes on them.

Track listing:
1. The Astronauts Are Sleeping (Enter)
2. Promised a Flight
3. Slide Guitars and Moving Cars
4. Our Favorite Day
5. Sweet Baby Jesus
6. Explosion Existence
7. The Astronauts Are Sleeping (Exit)
8. The Fourth of July


Similar vibes:

Friday, May 13, 2022

Brightblack - Ala.Cali.Tucky (2003)


Previously on OPIUM HUM:
Brightblack Morning Light - Motion to Rejoin (2008)

Languid, smoked-out country rock that's as fitting for late nights as it is for Sunday morning comedowns. Country slowcore, if you will. If you're familiar with the two records they put out after adding "Morning Light" to the end of their name: it's kinda like that, except with more acoustic slide guitar, pedal steel, and two Oldham brothers (yes, one of them's Will) in tow.

Track listing:
1. New Mexico
2. True Bright Blossom
3. Own Time
4. Better Days
5. Old Letters
6. Wildshiney Stars
7. Red
8. Ocean Blue


If you like this, listen to:

Tuesday, August 24, 2021

Purple Ivy Shadows - No More the Trees Than the Stars (1997)


Laid-back, country-and-psych-tinged indie rock from Providence, RI (thanks for the correction.) No Less the Trees Than the Stars has soundtracked a few late-night friend-bubble porch-hangs here at Opium Hum HQ, and it always hits just right.

Track listing:
1. Pawtucket
2. Feeble
3. Rebuilding the Ancestral Statue
4. Until I Saw the Fish
5. Blue Mtn.
6. Roadwise Blood
7. Sustance
8. She Wouldn't Have It
9. Stairs
10. Dancefloor's Shiny Under Junky
11. No Health
12. A Space Is Needed


You might also enjoy:

Wednesday, August 4, 2021

Thee More Shallows - More Deep Cuts (2004)

Related:

Sweet, sad, but sharp, ornate-in-a-homemade-sort-of-way, lo-fi-ish indie rock. If you click the link above, you'll see that I knew practically nothing about the band Shackleton at the time, and my post doubled as an attempt to gather some intel. Well, thanks to one commenter, I found out that it was a project of an SF musician named Dee Kessler, and that he had another band called Thee More Shallows. Someone else jumped in to recommend their first record, which I do love, but having had a long time to percolate on it, I feel that More Deep Cuts has the edge ever so slightly. That being said, literally everything I've heard from Dee Kessler has really exemplified this blog's credo of "this record should be way more popular." 

Track listing:
1. Post-Present
2. Pre-Present
3. Freshman Thesis
4. - int -
5. Ave Gracve
6. Cold Dis
7. Cloisterphobia
8. 2 AM
9. - int -
10. Walk of Shame
11. Ask Me About Jon Stross
12. House Break


If you like this, you should listen to:

Saturday, May 1, 2021

Ida - The Braille Night (2001)


Downcast, low-key love songs with rich vocal harmonies courtesy of three lead vocalists. Ida have been accused of trying too hard to be pretty, and they're definitely too earnest to be considered 'cool', but I got into them at just the right time -- in my early 20s, trying to navigate a doomed relationship -- and this record (and Will You Find Me) have stuck with me to this day.

Track listing:
1. Let's Go Walking
2. Ignatia Amara
3. Arrowheads
4. So Long
5. Blizzard of '78
6. So Worn Out
7. The Braille Night
8. Gladiolas
9. Ocean of Glass
10. Moves Through the Air

We're just haunted in our skins
By all that could have been
You hide it from your face
But it still shows


More sad lovey-dovey music:

Sunday, April 25, 2021

Portrait of David - These Days Are Hard to Ignore (2001)


Melancholic, minimal post-rock by Ola Fløttum (of The White Birch). Acoustic guitars, echoing keys, misty atmospheric drones, and understated vocals. A beautiful, subtle, and bafflingly obscure record.

Track listing:
1. Wide Open Doors
2. Lake
3. Nine-Day Wonders
4. Beautiful Flimsy Kite
5. Hot-Air Balloon
6. Constant Flow
7. Sweet Thief
8. In the Garden
9. David's Portrait
10. Seaweed


You'd probably also like:

Sunday, February 14, 2021

Escape the Day - Ghostless (2005)


Get the party started with some crushingly sad German slowcore/post-rock. Simple guitar and piano figures and barely-there, whispery vocals, and the occasional cathartic crescendo. Ghostless is devastating on its own terms, and even more so given that one of the project's two main members, Chrisoph Florian Rehse, committed suicide before it could be released.

Track listing:
1. Hallways
2. Ghostless
3. Days
4. The Hour Undone
5. If I Told You
6. Still
7. This Wave's Length

Also listen to:

Thursday, February 11, 2021

Charalambides - Market Square (1995)


Related:

Heavily sedated drone/psych/folk. Consists almost entirely of warped, at times out-of-tune guitars and lonely, drifting vocals. Seemingly largely improvised. The sound of nodding off. (Not making any assumptions about the musicians involved, just a description of the sounds they made.)

Track listing:
 -Disc One-
1. Think About
2. Those Who Walk
3. We Live Like Pigs
4. Namaste / Lightning Walk / Hours / And So Danced the River
5. Bankrupt
 -Disc Two-
1. House with Three Sides
2. Silvatica
3. Saratoga Reel
4. Indianola
5. Magnolia at Last
6. Someday You'll Get Yours


Similar listening:

Wednesday, November 18, 2020

Landing - Oceanless (2001)


Heady vibes from Utah. Weightless, echoing clouds of guitar and synth hover and hum over slow, minimal drumming. Slowcore filtered through the sounds of ambient space rock.

Track listing:
1. How Did You Feel?
2. Harmonies
3. Rival Veed Fiir
4. Are You Gone to Vast Arc Hues?
5. Structure vs. Chaos
6. ...


I also recommend listening to:

Monday, July 20, 2020

lowercase - The Going Away Present (1999)


Third, final, and best album by lowercase. Dark, slow-burning songs that strike a pretty remarkable middle-ground between post-hardcore, slowcore, and screamo.

Track listing:
1. Floodlit
2. Willing to Follow You Down
3. The Going Away Present
4. Glisten to the Pink
5. The Open Sea
6. On a Bender
7. Last Stand
8. Thistrainwillnotstop

The loss keeps bleeding
The milk runs warm and mild upon the pavement


You're also gonna wanna hear:
Chokebore -
Motionless (1994)
U.S. Maple -
Purple on Time (2003)

Thursday, June 18, 2020

Soul Whirling Somewhere - Please Sennd Help (2001)


Previously on OPIUM HUM:
Soul Whirling Somewhere - Eating the Sea (1993)

Fourth and seemingly final album from the great, unsung Soul Whirling Somewhere. The 'confessional' lyrical approach suggests emo, but everything else -- the reverb, the slo-mo, ethereal instrumentation, the ever-present sense of doom -- evoke the golden eras of 4AD and Projekt.

Track listing:
1. The Wedding
2. Nani
3. Aileron
4. Salt Angel
5. Shivering Fox
6. You Stutter When You Sleep
7. Box
8. The Sun in Braids
9. In On
10. Little Gaze
11. Gaze
12. Happy Valley
13. I Give Up. Goodbye.

Pale, near-virgin paper
Barely creased or ever read
The scent of your lipstick
Still preserved where you kissed it


More along these lines:
Lycia -
The Burning Circle
and Then Dust
(1996)
The Hope Blister -
...Smile's OK
(1998)

Tuesday, March 19, 2019

The Secret Stars - Genealogies (1998)


Swansong from this experimental lo-fi indie rock duo. I first discovered The Secret Stars through the album Ten Small Paces by Ida, which contains not only a cover of "Shoe-In", but a song called "Les Étoiles Secrètes" that's about falling in love while listening to The Secret Stars and talking about how great they are.

Based on Ida's precious, uniformly pretty sound, I remember expecting more of the same -- maybe rougher around the edges. But surprise, surprise: while their sound is in fact rooted in sweetly sad, lo-fi slowcore, there's a strong presence of experimental tape-loop noise, as well as diversions into sloppy, raucous indie rock. There's even a Crass shout-out.

Track listing:
1. Haphazard Joy
2. Shoe-In
3. Melt
4. N29, It's Alright
5. Can U Feel It?
6. The Four Senses
7. SERC
8. Sister, Brother
9. Trance Hall Storm
10. 5,000,000,000
11. Some Sinatra
12. The Mode-E
13. The Vitamin-V
14. We Have Been Schooled By...
15. Release Form
16. Back in the Car

Home is here, anyway
Or wherever I say


You should also hear:
Lullaby for the Working Class -
I Never Even Asked for Light (1997)
Damien Jurado -
Ghost of David (2000)

Tuesday, December 18, 2018

Low & Spring Heel Jack - Bombscare EP (2000)


Related:
Spring Heel Jack - There Are Strings (1995)
Low - The Curtain Hits the Cast (1996)
Low - Songs for a Dead Pilot (1997)
Low - Murderer EP (2003)
Alan Sparhawk - Solo Guitar (2006)

As many of you know, Low put out my favorite album of 2018. It's a thing of harsh, damaged beauty, and I really can't recommend it enough. And this 4-song EP, a collaboration with experimental electronic duo Spring Heel Jack, is the closest antecedent to it in their discography. While other Low releases have featured electronic-laced production -- Drums and Guns and Ones and Sixes come to mind -- here, as on Double Negative, the electronic elements sound like they were part of the writing process from the jump. It's also a really great and slept-on little EP, so jump up on it.

Track listing:
1. Bombscare
2. Hand So Small
3. So Easy (So Far)
4. Way Behind

This time
Your lips won't be afraid
This time
Your hand won't be betrayed


You should also hear:
Bowery Electric -
Beat (1996)
Jessica Bailiff -
Hour of the Trace (1999)

Thursday, September 6, 2018

Azure Ray - November (2002)


Beautifully sad, strikingly heartfelt slowcore/indie folk. A six-song EP -- five originals and one Townes Van Zandt cover -- that I listened to on practically a daily basis when I was 20-21. Makes me think of my old friend and bandmate, with whom I listened to this EP many times, who passed away in November of 2009 -- particularly the title track, and especially when the lyric "So we're speeding towards that time of year/To the day that marks that you're not here" crushes me in its gentle, cooing palm.

Track listing:
1. November
2. For the Sake of the Song
3. No Signs of Pain
4. Just a Faint Line
5. I Will Do These Things
6. Other Than This World

I'll just sit and stare at my deep blue walls
Until I can see nothing at all
Only particles, some fast, some slow
All my eyes can see is all I know


More along these lines:
Lullaby for the Working Class -
I Never Even Asked for Light (1997)
Damien Jurado -
Ghost of David (2000)

Thursday, June 21, 2018

Orbit Service - Twilight (2004)


Downcast indie rock wrapped in a psychedelic haze. Not that I've gone out of my way to bring them up, but I've never heard anyone else talk about this band, so they've always felt kinda like this weird, beautiful little secret. Music for the stoned and sad.

Track listing:
1. Start Dreaming
2. Dark Orange Sunset
3. High Orbit
4. A Song About Birds
5. The Seven Rays
6. How I Know You to Lie
7. When Everything Was Dead
8. Thought You Should Know
9. Minutes, Dollars, Days
10. Sad Syrup
11. Down Again

Some might say I'm dreaming
Yeah, I'm dreaming to save my life


You would probably also like:
The Black Heart Procession -
1 (1998)
Greater California -
Somber Wurlitzer (2004)

Friday, May 18, 2018

Pan•American - Quiet City (2004)


A haunting, quietly stunning fusion of abstract, low-key post-rock/slowcore and glitchy ambient. Crystalline guitars, ghostly drones, crackling static, fragile-sounding electronics, minimal percussion, and occasional whispery vocals. Listening to Quiet City shortly after it came out, while under the influence of cough syrup, weed, and a severe fever, remains one of the most transcendent music listening experiences of my life -- pretty sure I levitated.

Track listing:
1. Before
2. Smallholding
3. Wing
4. Inside Elevation
5. Hall and Skylight
6. Lights on Water
7. Retouch
8. Christo en Pilsen

The river made no sound

Also listen to:
Rachel's -
Selenography (1999)
Tribes of Neurot & Walking Timebombs -
Static Migration (2008)